Jason Kartez has relocated to Los Angeles where he is establishing a studio. He works for the non-profit artist run organization Side Street Projects, The Museum of Contemporary Art Los Angeles, and the City of Los Angeles.

12/06/18
Jason Kartez has relocated to Los Angeles where he is establishing a studio. He works for the non-profit artist run organization Side Street Projects, The Museum of Contemporary Art Los Angeles, and the City of Los Angeles.
12/06/18
Ligaia Meyer had two of her Oxbow prints selected for the University of New Mexico Young Artists Exhibition.
12/06/18
Jasmine Zelaya's work Twins is on display in downtown Houston as the Main Street Marquee, a billboard sized work of art on the Main Street Market building, through Art Blocks Houston. See more of Jasmine's work.
12/06/18
Matthew Rowe's first solo exhibition was held at the Four Seasons Resort and the Beals and Co Gallery in Santa Fe, New Mexico. He was featured in the Santa Fe Reporter article Dichotomy, Sienna Luna explores her duality while Matthew Rowe embraces imperfection by Alex De Vore.
09/18/18
Acadia Mezzofanti is the youngest exhibiting artist at Elevated: 2018 National Photography Show, at the Copley Society of Art in Boston. Former AIPAD president Robert Klein selected 23 artists from several hundred entries for the juried exhibit that explores the question: what elevates photography to fine art? See more of Acadia's work at www.acadiamezzofanti.com.
09/04/18
Musician Matthew Santos was in the August 29, 2018 New York Times article You Know What London Looks Like. But Have You Really Heard It? by the musician Dessa. In the photo LJ Rich, left, begins to manipulate the ambient sounds of Arnold Circus for Dessa and Matthew Santos.
Photograph by Tom Jamieson for The New York Times
09/04/18
William Binnie's first museum exhibition includes The Lure of the Dark: Contemporary Painters Conjure the Night at MASSMoCA, through Dec 2018. William will also be included in the 2019 DeCordova Biennial and he co-chaired the 2018 Studio Party of the Whitney Museum of America Art, which raised $4.8 million for the museum.
Oxbow was, without a doubt, the best part of my high school experience. A year after leaving, and I still feel as though it were yesterday that I was sitting on the lawn, eating in the dining hall, and laughing with my friends in the studios.
— Julia Weir, Fall 2015
In the year leading up to Oxbow, I became obsessed with the program, I was entranced with reading testimonials and researching interdisciplinary learning styles. When I arrived at Oxbow I was never disappointed, despite my endless expectations. I will forever cherish the time I spent at Oxbow and the connections I made there. Through Oxbow I was able to hone into the ideas I was thinking about, to refine my artistic process and to see the world in a new light every day of my life. I'm not going to say that without Oxbow I wouldn't be the person I am today, but I will say that without Oxbow it would have taken me at least four years to become who I am after one Oxbow semester.
— Phoebe Dubisch, Fall 2018
I have learned so many skills and habits that have made me a better person throughout my time here. To name a few: I have learned how to be a good roommate, how to communicate, and how to trust myself. I have learned the importance of staying hydrated, getting good sleep, and having a clean work space. I have learned how to share space both in the studios and dorms. Lastly, I have learned that it’s okay to advocate for what you need and that there is no harm in asking for help or support.
— Grace Reynolds, Fall 2023
A School Like No Other