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Please join us for Oxbow's annual Spring Benefit on Saturday, May 11, 2019 at the beautiful Hudson Ranch winery in the Carneros region of Napa Valley.
Special guest Chef Curtis diFede of Miminashi fame will be creating an artful Napa-inspired spring menu + Napa Valley wines from Robert Sinskey Vineyards. Come meet our special guest Emcee Llisa Demetrios of The Eames Office, the granddaughter of Ray & Charles Eames, who will be speaking about her family's creative design process. Oxbow Alums Caroline Woolard, OS4 and Colby Case, OS39 will also be sharing their unique perspectives of their time at Oxbow.
Proceeds of the event support student scholarships at the school, since over half of our talented young artist-scholars receive some form of financial aid. For sponsorship and tickets, please visit www.OxbowBenefit.org.
*A HUGE THANK YOU to Lee & Cristina Hudson and Miminashi for helping to underwrite our annual fundraising event!
Saturday, May 11, 1:00 - 3:00pm + Sunday, May 12, 11:00am - 1:00pm
Oxbow Studios, 530 Third Street, Napa
Tours will be offered and information will be available about the Semester and Summer programs at Oxbow!
01/23/19
Please join us for a lecture with Oxbow Alumni Artist Clay Gibson (OS20).
Date: Tuesday, April 9, 2019 7:00 — 8:30pm
Location: The CIA at Copia Theater, 500 First Street, Napa, CA
Artist Biography
Clay Gibson is a tattooer and co-owner of the tattoo shop, Come What May. Prior to tattooing he attended Oxbow OS20 and later the California Institute of the Arts where he enlarged on ideas of building community through art-making and political praxis. He later went on to live in Mexico City where he attended the SOMA Summer Art Residency Program and began to work with the collective, Oa4s. He currently lives and works in Los Angeles.
01/22/19
Please join us for a lecture with artist Judith Belzer.
Date: Tuesday, March 19, 2019 7:00 — 8:30 PM
Location: The CIA at Copia Theater, 500 First St
Artist Biography
Judith Belzer is an artist who lives and works in Berkeley, California. Using primarily oil paint on canvas, she explores human engagement with the natural world, often looking to the man-made landscape in order to consider this dynamic and sometimes fraught relationship.
Belzer's work is exhibited regularly in galleries and museums and has been acquired by numerous private and institutional collections. Most recently her work was included in group exhibitions at The Berkeley Art Museum, The San Francisco Jewish Museum and at the center for art + the environment at the Nevada Museum of Art. “Lana Turner a journal of poetry and opinion” published a portfolio of her work late last year and Terrain.com will do the same early this year. Belzer is a visiting lecturer in the department of Visual Art and Environmental Studies at Harvard University and is a 2014 John Simon Guggenheim Fellow. She Graduated Magna Cum Laude from Barnard College with a degree in English and studied art at The New York Studio School.
01/21/19
Please join us for a lecture with artist Shiva Ahmadi.
Date: Tuesday, March 12, 2019 7:00 — 8:30 PM
Location: The CIA at Copia Theater, 500 First Street, Napa, CA
Artist Biography from Haines Gallery in San Francisco
Iranian-American, b. 1975
Lives and works in the Bay Area, California
Shiva Ahmadi’s practice borrows from the artistic traditions of Iran and the Middle East to critically examine global political tensions and social concerns. Having come of age in the tumultuous years following the Iranian Revolution and subsequent Iran-Iraq War of the 1980s, Ahmadi moved to the United States in 1998, and has been based in California since 2015.
Ahmadi works across a variety of media, including watercolor painting, sculpture, and video animation; consistent through her pieces are the ornate patterns and vibrant colors drawn from Persian, Indian and Middle Eastern art. In her carefully illustrated worlds, formal beauty complicates global legacies of violence and oppression. These playful fantasy realms are upon closer inspection macabre theaters of politics and war: watercolor paint bloodies the canvas, and sinister global machinations play out in abstracted landscapes populated by faceless figures and dominated by oil refineries and labyrinthine pipelines.
Shiva Ahmadi studied at the Cranbrook Academy of Art, Bloomfield Hills, MI; Wayne State University, Detroit, MI; and Azad University, Tehran, Iran. In addition to recent solo exhibitions at the Asian Art Museum, San Francisco, CA (2017) and Asia Society Museum, New York, NY (2014), her work has been included in group shows including Home Land Security, For-Site Foundation, San Francisco, CA (2016); Fireflies in the Night Take Wing, Stavros Niarchos Foundation, Athens, Greece; and Global/Local 1960-2015: Six Artists from Iran, Grey Art Gallery, New York University, NY (all 2016); Catastrophe and the Power of Art, Mori Art Museum, Tokyo, Japan (2018); and Revolution Generations, Arab Museum of Modern Art, Doha, Qatar. Her work is included in the collections of the Metropolitan Museum of Art, New York, NY; Asia Society Museum, New York, NY; Grey Art Gallery, New York University, NY; Asian Art Museum, San Francisco, CA; Museum of Contemporary Art, Los Angeles, CA; Detroit Institute of Arts, MI; DePaul Art Museum, Chicago, IL; Farjam Collection, Dubai, UAE; TDIC Corporate Collection, Abu Dhabi, UAE; and the private collection of His Highness Sheikh Mohammed Bin Zayed Al Nahyan, Crown Prince of Abu Dhabi, among others.
In 2016, Ahmadi was awarded the ‘Anonymous Was A Woman’ Award and a Pollock-Krasner Foundation Grant. Shiva, a new monograph of her work, was published by Skira in Spring 2017.
01/20/19
Please join us for a lecture with artist Nicole Mueller.
Date: Tuesday, March 5, 2019 7:00 — 8:30 PM
Location: The CIA at Copia Theater, 500 First Street, Napa, CA
Artist Biography
Nicole Mueller is a San Francisco based artist and painter. Through large scale collages, murals, and installations fusing color and light, she creates shifting environments and navigates spaces in flux. Mueller’s paintings are both exuberant and complex, with fluctuating figure-ground relationships, vibrant color, and pockets of deep space creating pathways that weave in and out of compositions both dense and open-ended. Her process-based works are painted, cut, collaged, arranged and rearranged through an additive process of layering, with the resulting works existing in a perpetual state of motion in between chaos and cohesion. With her installations, Mueller aims to give physical form to the abstract sensation of light, merge the tangible and intangible, and provide pathways for moving through liminal states that remain fluid over time. She has been an artist-in-residence at the Vermont Studio Center, Proyecto 'ACE (Argentina), and Creative Paradox (Maryland). Her work has been exhibited in California, New York, and Maryland. She earned her BFA in painting and illustration at the Maryland Institute College of Art in Baltimore, MD, and recently was the recipient of the Mark M. Glickman and Lanette M. McClure Artist Award given to emerging artists in California.
01/20/19
Please join us for a lecture with artist Natan Daskal
Date: Tuesday, February 19, 2019 7:00 — 8:30 PM
Location: The CIA at Copia Theater, 500 First Street, Napa, CA
Artist Biography
When does Life become Art? Natan's interest lies in the performance of everyday life and how the artist mind and creative experience can aid us in living better lives. Primarily an educator, Natan is Teacher-As-Artist, approaching the classroom/studio as a laboratory of living, co-creating experiences with students that aim to deepen awareness and to open new possibilities for personal and worldwide change. A student of dance pioneer Anna Halprin's, he has been shaped by her approach to performance that merges the science of the moving body with felt experience, psychology, the natural environment, community, ritual, and the aesthetics of everyday activity.
Natan is on faculty at the Tamalpa Institute, an internationally recognized training program in movement-based expressive arts; teaches creative movement classes to children; and has taught movement workshops in a variety of settings. Natan studied ballet at the Joffrey School in New York City, received his BFA in Communication Design at Parsons the New School for Design, and received an MA in Education from Goddard College where he studied the intersection of somatics, creativity, and education.
December 15 & 16, 1:00 - 3:00pm
Oxbow Studios, 530 Third Street, Napa
08/31/18
Please join us for a lecture with Oxbow Alumni Artist Lydia Glenn-Murray (OS20).
Date: Tuesday, November 6, 2018 7:00 — 8:30pm
Location: The CIA at Copia Theater, 500 First Street, Napa, CA
Artist Biography
Lydia Glenn-Murray is an artist, educator and organizer. She attended Oxbow OS20 and had a transformative experience there that confirmed her commitment to art and interdisciplinary learning. She ran an experimental art space in Highland Park, Los Angeles called Chin's Push, an ephemeral project mostly captured through third party documentation including press in Art in America, Artforum, LA Times, LA Weekly, ArtReview, ParisLA, Artsy, and others. Most recently, she moved to her hometown of Berkeley, California to direct 2727 California Street, a non-profit art and education initiative and residency program in an old corner store in South Berkeley.
At Oxbow, I got to try inquiry-based learning for the first time. This allowed me to control the amount of rigor and the depth of research in my topic, as well as picking a topic that I found most interesting. From going through this new process of learning, I feel excited to go back to the rigor of my sending school to apply the inquiry-based perspective to my classes.
— Meave Cunningham, Fall, 2015
Artistically, I learned a lot of new techniques and mediums while here. I had access to much more than before and I made the most of it. I tried everything I could and always talked to my teachers and peers about new ways I could make art. Every so often, I completely stepped out of my comfort zone. Experimenting with technique and testing my artistic boundaries has helped me realize how many paths I have to choose from in the art world and that makes me excited for the future.
— Macy Manning, Fall 2023
In the year leading up to Oxbow, I became obsessed with the program, I was entranced with reading testimonials and researching interdisciplinary learning styles. When I arrived at Oxbow I was never disappointed, despite my endless expectations. I will forever cherish the time I spent at Oxbow and the connections I made there. Through Oxbow I was able to hone into the ideas I was thinking about, to refine my artistic process and to see the world in a new light every day of my life. I'm not going to say that without Oxbow I wouldn't be the person I am today, but I will say that without Oxbow it would have taken me at least four years to become who I am after one Oxbow semester.
— Phoebe Dubisch, Fall 2018
A School Like No Other